MUSIC/IMAGE: transpositions, translations, transformations…
Mirjana Veselinović-Hofman, Vesna Mikić, Tijana Popović Mladjenović, Ivana Perković (Eds.)
CONTENTS
Editors’ Note
I – TRANSLATIONS/TRANSPOSITIONS/TRANSFORMATIONS…
Mirjana Veselinović-Hofman, SILENCE IN SCORE NOTATION AND IN THE SOUND APPEARANCE OF MUSIC: THE REST AS ‘IMAGE’ AND AS ‘SOUND’
Isaac Diego García Fernández, BETWEEN SONIC AND GRAPHIC GESTURE: THE VISUAL MUSIC OF LLORENÇ BARBER
Nikos Xanthoulis, THE TECHNICAL AND MUSICAL POSSIBILITIES OF THE ANCIENT SEVEN-CHORD LYRE AS DERIVED FROM POTTERY AND SCULPTURE
Milena Medić, EKPHRASTIC DOUBLING: A CASE STUDY IN RENAISSANCE INTERART POETICS (MARENZIO, PETRARCH, BOTTICELLI, AND THE ANCIENTS)
Denis Collins and Jason Stoessel, MUSIC AS SYMBOLIC IMAGE: CHRISTOLOGICAL NARRATIVES IN THE AGNUS DEI SECTIONS OF RENAISSANCE MASSES
Sasha Lozanova, THE HORO CHAIN-DANCE IN BULGARIAN PAINTINGS IN THE PERIOD FROM THE LATE NINETEENTH CENTURY TO THE LATE TWENTIETH CENTURY: IMAGERY, SEMANTICS, SYMBOLISM
Teresa Malecka, EKPHRASIS AS THE CATEGORY OF ANALYSIS OF MUSICAL WORK INSPIRED BY PAINTING AND LITERATURE
Marija Simonović, THE ‘IMAGE’ OF ONDINE/UNDINE IN MUSIC AND PAINTING
Nevena Stanić, THE DIGITAL “IMAGE” OF THE “OLD SERBIAN CHANT”: DIVNA LJUBOJEVIĆ AND THE MELODISTS CHOIR
II – TRANSPOSITIONS/TRANSFORMATIONS/TRANSLATIONS…
Bojana Radovanović, THE COMMUNICATION AND ANALOGIES BETWEEN MUSIC AND IMAGE: DRAGUTIN GOSTUŠKI’S THEORY OF THE SCREEN
Predrag I. Kovačević, THE TRANSPOSITION OF ARNOLD BÖCKLIN’S PAINTING ISLAND OF THE DEAD INTO THE MEDIUM OF MUSIC
Katarina Mitić, DEBUSSY’S CLAIR DE LUNE AND ITS (DIFFERENT) TRANSPOSITIONS IN FILM
Kostas Chardas, THE SOUNDRACKS OF ANCIENT HELLAS IN THE GREECE OF THE 1960s: DIFFERENT MEANINGS AND VISIONS
Leković Biljana, SOUND NOMADS – RETHINKING THE CONCEPT OF SOUND ARTIST/ART
Ko-On Chan, AUGUST RUSH (2007): WHEN IMAGE ACCOMPANIES MUSIC
Radoš Mitrović, EXCLUSIVE HUMANISM: THE CLOCKWORK ORANGE AND THE TRANSFORMATIONS/TRANSPOSITIONS OF THE MEANING(S) OF BEETHOVEN’S NINTH SIMPHONY
Vesna Mikić, Adriana Sabo, “SONGS BENEATH IMAGES”: TRANS-POSITIONS OF POP SONGS IN THE TV SERIES GREY’S ANATOMY
III – TRANSFORMATIONS/TRANSPOSITIONS/TRANSLATIONS…
Sanela Nikolić, MUSIC AND VISUAL ARTS VS. MUSIC AND VISUAL CULTURE – A SHIFT IN THEORETICAL APPROACH
Sanja Srećković, TUNING BY IMAGES: THE IMPACT OF THE IMAGE ON THE IMAGINED (MUSICAL) OBJECT
Patrick Becker, OTTO NEBEL’S RUNIC FUGUES AS MULTI-MODAL ARTWORKS BETWEEN “MUSICAL POETRY”, PAINTING, AND ARCHITECTURE
Miloš Bralović, JOSIP SLAVENSKI’S MOVING PICTURES – MUSIC FOR CHAMBER ORCHESTRA
Nikola Dedić, BETWEEN LANGUAGE, IMAGE AND SOUND: THE PROBLEM OF VOICE IN STANLEY CAVELL’S PHILOSOPHY OF ART
Aleksandar Đaković, THE ROLE OF MUSIC IN SILENT MOVIES
Aleksandar Trajkovski, THE RELATION OF MUSIC TO THE FILM IMAGE/SCENE IN THE FEATURE FILM “CABARET BALKAN”
Milan Milojković, PLUG-INS AND PLUG-OUTS: CONTEMPORARY MUSICAL COMPUTING INPUT/OUTPUT METHODS IN THE WORKS AND PERFORMANCES OF SVETLANA SAVIĆ AND SVETLANA MARAŠ
