Interpreting of/through/by/in Music
Musicological Studies: Monographs
Editors:
Ana Stefanović
Dragana Stojanović-Novičić
Izdanje je realizovano uz podršku Ministarstva nauke, tehnološkog razvoja i inovacija Republike Srbije.
CONTENTS
Foreword
I. Interpreting of/through/by Music
Lawrence Kramer
Classical Music as Interpretation
Robert S. Hatten
Toward a Speculative Hermeneutics of Music
Ana Stefanović
Music as Metaphor and Narrative in Music Drama
II. Interpreting Music of/by Unconscious, Fantastic, Mystical
Ellen Freyberg
“Art Belongs to the Unconscious”. The “Night” Topos and Arnold Schönberg’s Attempt at Musical Renewal
Tijana Popović Mladjenović
Fantastic Landscapes of Interpreting Music
Violetta Kostka
Stylistic Blends which Emerge while Listening to Paweł Szymański’s Singletrack for Piano
Miloš Zatkalik
The Sound that Melts the Walls: Djuro Živković Between Nikiphoros the Monk and Gilles Deleuze
III. Interpreting Music of/by Myth
Ivana Petković Lozo
L’adorable Arabesque Totale, Que Me Veux-Tu? The Journey of Circular Motion: From the Periphery to the Center
of Meaning of Claude Debussy’s Musical Work Syrinx
Milica Lazarević
A Possible Perspective of Musical Hermeneutics: A Jungian Interpretation of Daphnis et Chloé by Maurice Ravel
Marija Simonović
Imagination of Fire and the Possibility of its Interpretation in the Work Prometheus: The Poem of Fire by Alexander Scriabin
Marija Tomić
Sounding Through the Hollow Reeds: The Aeolian Flute Sound as a Reference to the Myth of Pan and Syrinx
IV. Interpreting Musical Languages in History
Dragana Stojanović-Novičić
Tonal Cohesion as an Elementary/Inevitable Phenomenon in the Theoretical/Compositional Aesthetics of Vlastimir Peričić
Marina Marković
Serbian Chant as an Indicator of Russo-Serbian Cultural Relations in the Eighteenth Century
V. Interpreting Music in Film, Television and Digital Media
Kalliopi Stigka
Les chansons des films grecs: Une expression de joie, de tristesse et… D’espoir!
Biljana Leković
Paolo Sorrentino’s Sound Visions – The Role of Music in the Television Series The Young Pope and The New Pope
Marija M. Karan
Internet Music Platforms and Streaming Services Audience – Creators, Performers and Interpreters of New Music Mass Media Narratives
VI. Interpreting of/in Music Performance
Rastko Popović
Preparing the Serbian Edition of The Art of Playing on the Violin by Francesco Geminiani – Expressiveness of Intonation and Fingering
Rachel Becker
The Triangulated Narrator of Opera Fantasia Performance
Nataša Penezić
Expressive Features as Means to Revealing the Structure within the Process of Memorizing Luciano Berio’s Sonata Per Pianoforte Solo
Katerina Diakoumopoulou
“Theater Of Achievable” of Performance-Maker Kostas Gakis: The Notable Works of Speech and Sound
Michał Łukowicz
A Song as a Performance. About the Opportunities and Threats Posed by the Plasticity of Popular Music Pieces
VII. Interpreting Music in Musicological Discourses
Sanela Nikolić
“Digital Resources in Musicology” and its Potential for Musicological Interpretation
Nitta Takayuki
The Rhetoric of Musical Discourse: Toward the Tropological Project of a Critical History
