Radoš Mitrović, PhD
Radoš Mitrović (born in 1989 in Belgrade) is a teaching associate and secretary of the Department of Musicology at the Faculty of Music, University of Arts in Belgrade. His main fields of academic interest include contemporary music and aesthetics, and he is working on a PhD thesis titled The End of Postmodernism, with the professor Mirjana Veselinović-Hofman, PhD. He took part in several international conferences and round tables, such as: Haydn in London, ARTGET (2007); 150 Years From the Birth of Gustav Mahler, Zadužbina Ilije M. Kolarca (2010); Music World of Robert Schumann, ARTGET (2010); FESTUM, SKC (2012); Musical Practices – Continuities and Transitions, XII International Conference of the Department of Musicology, Faculty of Music (2014); Days of Vlada S. Milošević, Banja Luka (2015); Beyond the Crisis in the Humanities…, FMC, Belgrade (2015); Musical Legacies of State Socialism…, SANU, Belgrade (2015); Ruidalsud,, International Festival of Arts. Italy-Argentine-Serbia, Novi Sad (2015) … He published articles in New Sound, Zbornik Matice Srpske za scenske umetnosti i muziku, Art and Media, Muzika and contributed in monography History of Art in Serbia, XX century, III, as well as in Serbian Encyclopedia, SANU, Matica Srpska. He’s an author of the e-book entitled Mauricio Kagel’s Creative Attitude Towards Musical Tradition. Mitrović was awarded by FMA with Vlastimir Peričić award for best student of musicology (2011/12). He got scholarship from British Music Society for attending Gaudeamus musiekweek, Utrecht (2014) and was part of the Next Generation program of Donaueschinger Musiktage, Donaueschingen (2015). He was a member of the editorial board of student proceedings Musicological Perspectives I/II (2012) and the Organizing Committee of the Transpositions: Music/Image conference (2016). He is a member of Serbian Musicological Society and Center for Research of Popular Music. His work includes music critiques and reviews for the Radio Belgrade 2.