Факултет Музичке уметности Универзитет Уметности у Београду

Faculty of Music University of Arts in Belgrade

Садржај теоријске наставе

Na ovom kursu će se obrađivati (jezički analizirati i prevoditi) stručni tekstovi: Women of Composure, Conductors on Conducting Bernard Haitink on Mahler, The Vocal Wonder of All Time, Edward the Conqueror, Antonin Dvorak . The Marketing of James Galway, Research in Traditional Music – Ethnomusicology, On Beethoven, Technique for Life, Music and Imagination. Neke od tema za diskusiju: Women composers vs. men composers, Female music teachers vs. men music teachers (the question of gender), The relationship between conductors and performers, Opera today, The problem of language in Opera, National in music i dr. Gramatičke jedinice i leksičke konstrukcije: Word Building, Plural of Nouns, Plural of Compounds, Foreign Plural, Abstract Nouns, nouns + prepositions, Past Participle, Perfect Participle, adjectives + prepositions i dr. Muzička terminologija: What can’t you do with them? Which musical form is being described?, akordi, tonovi i dr. Neke od tema za diskusiju: Classical music as business, Beethoven as a composer / his personality, The Alexander Technique i dr. Gramatičke jedinice i leksičke konstrukcije: Word Building, Gerund, Causative ’have’, Future in the Past, Perfect Infinitive, Conditional Sentences, Modals, Complex Prepositions, Modals with the Perfect Infinitive, Future Continuous, Future Perfect i dr. Muzička terminologija: britanska i američka varijanta muzičke terminologije i dr. Испит се састоји из граматичког теста и питања из текстова обрађених на часу. Колоквијум је диктат.